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Collares plisados

Desenfadados, versátiles e inspirados en la escultura griega, estos collares plisados ​​Essilp de la diseñadora Alexandra Tsoukala están confeccionados en satén de poliéster resistente y brillante, con un diseño fluido que capta la luz y realza todos los colores a la vez. Cada collar está compuesto por ocho líneas de 3 mm de ancho que se pueden lavar, estirar y usar fácilmente durante todo el año. Estos collares son un complemento elegante para cualquier look.

Material: Seda sintética elástica, plisada e impermeable.

Dimensiones: Se cuelga aproximadamente a 40" del punto medio (aproximadamente 80" de largo total)

Hecho en Grecia

Alexandra Tsoukala

Alexandra Tsoukala

The essence of my work’ s goal is that the objects must be useful and their materials recognizable. The construction must be clean-cut and its shape a logical result of its construction and materials. As I don’ t like fake pockets and purely decorative buttons, so I don’ t like materials masquerading as something else, i.e., aluminum as “wood”, or plastic as “marble”. Often, I add some playfulness, but I never lose sight of my initial aim, which is to answer to the specific need for which the object is being made – as simply and self-evidently as primitive people used to make their utensils, tools, and houses. With this same logic I design all objects, using contemporary materials, following the latest techniques, and trying not to be carried away by the mass of pictures in magazines and tv about the fashionable new “trends”. (What, really, is the meaning of trends? Could it be simple mimicry?) Why should we produce something “different” only because it needs to be “different”? A chair that offers, through some new technology, more comfort, is indeed an important and original proposition; but an “imaginative, different” chair in which one cannot sit comfortably, is just nothing.

The essence of my work’ s goal is that the objects must be useful and their materials recognizable. The construction must be clean-cut and its shape a logical result of its construction and materials. As I don’ t like fake pockets and purely decorative buttons, so I don’ t like materials masquerading as something else, i.e., aluminum as “wood”, or plastic as “marble”. Often, I add some playfulness, but I never lose sight of my initial aim, which is to answer to the specific need for which the object is being made – as simply and self-evidently as primitive people used to make their utensils, tools, and houses. With this same logic I design all objects, using contemporary materials, following the latest techniques, and trying not to be carried away by the mass of pictures in magazines and tv about the fashionable new “trends”. (What, really, is the meaning of trends? Could it be simple mimicry?) Why should we produce something “different” only because it needs to be “different”? A chair that offers, through some new technology, more comfort, is indeed an important and original proposition; but an “imaginative, different” chair in which one cannot sit comfortably, is just nothing.

Los miembros ahorran un 10%

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¡Los miembros del Museo de Arte de Phoenix ahorran un 10% en toda la mercancía a precio regular!

¡Los miembros del Museo de Arte de Phoenix ahorran un 10% en toda la mercancía a precio regular!